African art

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African art

Introduction

Africa is very dynamic in culture which has a rich history in arts. Considering the dynamic status in the African culture, the African art took a very different direction in that because of the different cultures, there were different considerations in their arts. Precisely, every culture or ethnicity could be possibly having its own art. In this paper I will take I to account some specific objects and may be practices that were evidenced in specific African communities to try establish the African art.

In Africa, there are some objects that are used for religious purposes. The fetish use has been rampant and very valuable in most of the communities. In their own perspective, these fetishes were majorly used with an aim to protect the individual for families or even communities that used them. Generally, there were no common fetishes to communities. However, these fetishes almost served the same roles in the African society i.e. protecting people against the harm of the evil spirits, may be to cure illness and also to guard against the bad deed of other people as well as decision makings in arguments. In this sense, fetishes were very effective and thus very powerful among Africans. (Monica, 56)

Among the Nkisi people, there was the nkondi which was basically responsible for hunting down people who did wrong in the community. These included thieves and other people who could be responsible for trouble in the society. Basically, nkondi was used to punish who could take false oaths and defaulters of treaties. Charging the nkondi into action was through invocations and provocations. For provocations, gunpowder was exploded in front of it and nails could also be hammered in it.

Despite the fact that in black Africa, there is magic but there are ranks for instance a witch doctor is a special person who specializes in talking to the veil powers and connecting them to the people. In most cases, the diviner who can also be the diviner, could act in favor of the whole community. In most of these communities, there were very little wood carvings, however there was special treatments to the trees and incase there was to be carvings, both the carver and the fetishist, Nganga, had to be there during carving.

There were several artistic practices in different communities in Africa for example there is the Eri Ibeji of the Yoruba of Nigeria who has a role to play in twin child births, the Bomana, helmet mask that is associated with the Komo power in the Mande culture who could be accompanied with dance and songs.............


Type: Essay || Words: 924 Rating || Excellent

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